Opportunities From: Pioneer Theatre Company

Fueled by earbuds full of pop anthems, sheer determination, and a simmering sense of justice, five teenage girls are ready to confront the buried truths hiding in their small, single-stoplight town. A recent Broadway hit from playwright Kimberly Belflower, this bold, sharp-witted, and fiercely relevant play reexamines the stories we inherit and asks who gets to define what’s true — delivering a work that’s as entertaining as it is essential.

Fueled by earbuds full of pop anthems, sheer determination, and a simmering sense of justice, five teenage girls are ready to confront the buried truths hiding in their small, single-stoplight town. A recent Broadway hit from playwright Kimberly Belflower, this bold, sharp-witted, and fiercely relevant play reexamines the stories we inherit and asks who gets to define what’s true — delivering a work that’s as entertaining as it is essential.

Fueled by earbuds full of pop anthems, sheer determination, and a simmering sense of justice, five teenage girls are ready to confront the buried truths hiding in their small, single-stoplight town. A recent Broadway hit from playwright Kimberly Belflower, this bold, sharp-witted, and fiercely relevant play reexamines the stories we inherit and asks who gets to define what’s true — delivering a work that’s as entertaining as it is essential.

Based on the 1960 low budget Roger Corman horror movie (starring Jack Nicholson!), this cult classic musical is a perennial favorite and is currently enjoying a hugely successful Off-Broadway revival in New York. Little Shop of Horrors is the story of a beleaguered flower shop assistant who discovers a strange carnivorous plant that thrives on (gulp) human blood! With a score by Alan Menken and Howard Ashman (of Disney’s Beauty and the Beast and The Little Mermaid fame) and featuring hit songs like “Somewhere That’s Green,” “Suddenly Seymour,” as well as the title song, it’s a monster hit!

Based on the 1960 low budget Roger Corman horror movie (starring Jack Nicholson!), this cult classic musical is a perennial favorite and is currently enjoying a hugely successful Off-Broadway revival in New York. Little Shop of Horrors is the story of a beleaguered flower shop assistant who discovers a strange carnivorous plant that thrives on (gulp) human blood! With a score by Alan Menken and Howard Ashman (of Disney’s Beauty and the Beast and The Little Mermaid fame) and featuring hit songs like “Somewhere That’s Green,” “Suddenly Seymour,” as well as the title song, it’s a monster hit!

Based on the 1960 low budget Roger Corman horror movie (starring Jack Nicholson!), this cult classic musical is a perennial favorite and is currently enjoying a hugely successful Off-Broadway revival in New York. Little Shop of Horrors is the story of a beleaguered flower shop assistant who discovers a strange carnivorous plant that thrives on (gulp) human blood! With a score by Alan Menken and Howard Ashman (of Disney’s Beauty and the Beast and The Little Mermaid fame) and featuring hit songs like “Somewhere That’s Green,” “Suddenly Seymour,” as well as the title song, it’s a monster hit!

At the Meldrum Theatre

When famously acerbic radio personality Sheridan Whiteside slips on an icy doorstep and finds himself convalescing in a respectable Ohio home just before Christmas, he quickly turns polite holiday hospitality into full-blown pandemonium. As friends, eccentrics, aspiring actors, and assorted hangers-on descend upon the house, Moss Hart and George S. Kaufman’s The Man Who Came to Dinner unfolds into a whirlwind of sharp wit, romantic entanglements, and delightfully outsized characters. A true classic of American comedy, it’s a brisk, laugh-filled holiday treat with just the right touch of mischief.

At the Meldrum Theatre

When famously acerbic radio personality Sheridan Whiteside slips on an icy doorstep and finds himself convalescing in a respectable Ohio home just before Christmas, he quickly turns polite holiday hospitality into full-blown pandemonium. As friends, eccentrics, aspiring actors, and assorted hangers-on descend upon the house, Moss Hart and George S. Kaufman’s The Man Who Came to Dinner unfolds into a whirlwind of sharp wit, romantic entanglements, and delightfully outsized characters. A true classic of American comedy, it’s a brisk, laugh-filled holiday treat with just the right touch of mischief.

At the Meldrum Theatre

When famously acerbic radio personality Sheridan Whiteside slips on an icy doorstep and finds himself convalescing in a respectable Ohio home just before Christmas, he quickly turns polite holiday hospitality into full-blown pandemonium. As friends, eccentrics, aspiring actors, and assorted hangers-on descend upon the house, Moss Hart and George S. Kaufman’s The Man Who Came to Dinner unfolds into a whirlwind of sharp wit, romantic entanglements, and delightfully outsized characters. A true classic of American comedy, it’s a brisk, laugh-filled holiday treat with just the right touch of mischief.

Mean Girls is a hilarious musical from an award-winning creative team—most notably book writer Tina Fey (30 Rock)—that tells the story of Cady Heron, the new girl at North Shore High School, desperate to fit in and find friends. She soon falls prey to the school’s three “frenemies,” led by the ruthless Regina George. But when Cady tries to end Regina’s reign of popularity, she learns the hard way that you can’t cross a Queen Bee without getting stung.

Mean Girls is a hilarious musical from an award-winning creative team—most notably book writer Tina Fey (30 Rock)—that tells the story of Cady Heron, the new girl at North Shore High School, desperate to fit in and find friends. She soon falls prey to the school’s three “frenemies,” led by the ruthless Regina George. But when Cady tries to end Regina’s reign of popularity, she learns the hard way that you can’t cross a Queen Bee without getting stung.

Mean Girls is a hilarious musical from an award-winning creative team—most notably book writer Tina Fey (30 Rock)—that tells the story of Cady Heron, the new girl at North Shore High School, desperate to fit in and find friends. She soon falls prey to the school’s three “frenemies,” led by the ruthless Regina George. But when Cady tries to end Regina’s reign of popularity, she learns the hard way that you can’t cross a Queen Bee without getting stung.

At the Meldrum Theatre

Fresh from Broadway, this uproariously funny drama is set in Berkeley, California’s ultra-progressive Eureka Day School, where every decision is made by consensus. But when a mumps outbreak hits, the school’s carefully cultivated culture of inclusiveness spirals into chaos. As parents and board members clash over vaccines, personal freedoms, and viral misinformation, a community built on open-minded ideals implodes.  Wildly relevant and bitingly funny, this 2025 Tony Award-winning satire tackles one of the defining questions of our time: how do you build consensus when no one can agree on the truth?

At the Meldrum Theatre

Fresh from Broadway, this uproariously funny drama is set in Berkeley, California’s ultra-progressive Eureka Day School, where every decision is made by consensus. But when a mumps outbreak hits, the school’s carefully cultivated culture of inclusiveness spirals into chaos. As parents and board members clash over vaccines, personal freedoms, and viral misinformation, a community built on open-minded ideals implodes.  Wildly relevant and bitingly funny, this 2025 Tony Award-winning satire tackles one of the defining questions of our time: how do you build consensus when no one can agree on the truth?

At the Meldrum Theatre

Fresh from Broadway, this uproariously funny drama is set in Berkeley, California’s ultra-progressive Eureka Day School, where every decision is made by consensus. But when a mumps outbreak hits, the school’s carefully cultivated culture of inclusiveness spirals into chaos. As parents and board members clash over vaccines, personal freedoms, and viral misinformation, a community built on open-minded ideals implodes.  Wildly relevant and bitingly funny, this 2025 Tony Award-winning satire tackles one of the defining questions of our time: how do you build consensus when no one can agree on the truth?